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RAVEN RECORDS. NEW YORK.

 

     Musician, sound engineer, producer, songwriter, Keith Mills has been involved in the music industry for many years. He has written music for numerous stage plays and theater companies (including a lavish outdoor production of Shakespeare's The Tempest, recorded with many artists (including Susannah Darling Khan's Wild Prayer), and is currently the bassist for the rock band, Super Massive Object.

     Tales From the Shed Pt 1 is Keith's first solo album. Its precise, inventive and intricate arrangements of rhythms, effects and moods are by turns surprising, hypnotic, unsettling and consoling. Haunting vocals (female) and tribal chants (male) weave in and out, completing complex incantations driven by addictive grooves and marked by moments of silence and simplicity. This is technique at the service of music rather than music at the mercy of technology.

     Tales From the Shed Pt 1 is a project of rare integrity. it is emotional, thoughtful and delightfully carnal. As Keith notes: "This album is all the sounds, all the moods and all the people I have wanted to work with for such a long time to create music for no other purpose than to feed the soul."

 

 

Zeitgeist Review Jan 20

 

Who'd have thunk it? Bass player with Super Massive Object, shouty northern rockers, Keith Mills, has now produced his debut solo album. And it is absolutely fabulous. A large proviso, though. It has nothing to do with me. The Shed may be my internet handle when I'm lurking in Sandra Bullock chat rooms and writing online journals, but if I

was responsible for something this good, I'd be chapping on peoples doors, demanding they listen.

It probably has more in common with his past, which has included writing music for numerous stage plays and theatre companies (including a lavish outdoor production of Shakespeare's The Tempest), rather than as a rocking bass monster.

This CD is driven by mood, hypnotic, sometimes tribal with haunting female vocals dropping in and around the songs.

                       

 THE CRACK MAGAZINE: FEB 2004 ALBUM OF THE MONTH

Keith Mills/Nick Montgomery

Tales from the Shed, Parts One and Two

These two albums of diverse, highly original music are the creation of local musician/producer Keith Mills, alongside assorted collaborators.  Many influences are thrown into the melting pot here, and what emerges is a heady mix of tracks that encompass elements of folk, drum ’n bass, electronica, rock and world music.  So not easy to pigeon-hole then.  Always a good thing.  Broadly speaking, live instrumentation meets synths and samplers, with impressive results.

Firstly Part One: ‘Robinson is Cruising’ is a nicely sparse acoustic groove complemented by beautiful, floaty, Orbital-esque female vocals.  ‘Don’t Go Out Alone’ takes a 165 bpm kick drum, adds a didgeridoo growl, some excellent guitar licks, and a weird tribal vocal to create a freaky kind a abo-hardcore.  Mental.  ‘Seven Eight’ is a great track, an insistent Spanishy guitar loop over a stuttering drum ’n bass break.  Elsewhere, Afro-scat vocals collide with funky basslines (‘1st Time for Everything’), and discordant piano fugures meet monumental strings (‘Augury’). 

As for Part Two, the production is far more accomplished, and live strings add a depth previously absent.  ‘Feet of Clay’ kicks things off nicely, an enchanting arrangement of piano, violin, and exquisite vocals with a splash of melancholia.  ‘Some Days are Elastic’ continues in a similarly tuneful vein, as does ‘A Skull of Foxes’.  If you like Air, Stereolab and Broadcast, you’ll like those tracks.  Truly superb music.  Other highlights include the cinematic ‘The Far Side of Town’, and the wonderfully evocative ‘Cullercoats’.  All in all, ambitious, soulful, immensely enjoyable stuff.  DF

Out now & available from HMV, Roots, Steel Wheels, ravenrecording.com

 
BBC Radio Newcastle 17.01.04 The Julia Hankin Show

Comments by Julia:

'Strangely compelling music...these acclaimed CDs which have been garnering rave reviews in this neck of the woods have also hit a nerve in New York...'

'I tried to describe the music but failed.'

'Very strange titles..'

'...my favourite track on Tales From the Shed part two, Some Days Are Elastic...it's great...uplifting' despite 'downbeat subject matter.'

'Listen to you Aristotle Mills!'
 

Shed Studio isn’t a band in the proper sense, rather it’s a vehicle for Super Massive Object’s Keith Mills to indulge his love of exploration, delving deep into the uncharted waters of synthonic (no, that’s not a mis-spelling) ambience and creepy-crawly indie-rock-pop-alt.whatever, in the company of former Microdisney keyboard player Nick Montgomery. It’s music for its’ own sake, and not just a flash in the pan. There are two ‘Tales From the Shed’ albums available, from shedstudio@blueyonder.co.uk, and in them you will find all of the above, plus excursions into a decidedly Anglican brand of world music and numerous other adventures that are impossible to define.

 

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